Made in Korea대한민국 · 도레미
Doreme and adoreME permanent make-up pigments, made in South Korea by JHN Microtech. Beauty through technology: every shade is managed by a computer colour system, and its pigment ratio is printed on the chart — so you know what is in the bottle before you open it.
Obangsaek — the five cardinal colours — and dancheong, the polychrome painting under temple eaves, are a way of thinking about colour, not a decorative palette.
That is where the way we show the range comes from: every shade is a patch of jogakbo, set beside the others so you can compare them — not so it looks pretty.
The pigments are made in South Korea, in a pharmaceutical laboratory — not poured into bottles somewhere in Europe. You can tell from the consistency: the same code behaves the same way, batch after batch.
The adoreME hybrid series combines the stability of mineral pigment with the intensity of organic pigment.
Mineral, inorganic, stable pigments, free from preservatives. SGS testing confirmed the absence of heavy metals and compliance with international micropigmentation standards.
Every shade has a safety data sheet listing everything that went into it — ask for it and it arrives by email.
Both are made by JHN Microtech in South Korea. Doreme is the full system — liquids, concentrates, tubes and organic lines for every area. adoreME is the maker's new pigment technology, launched in May 2026, with its own hybrid blended pigment.
148 products · 11 lines
Perfect Brows, 2SHOT and CONC for brows; Eyebrow, Eyeliner, Lip and Skintone liquids; Organic Brow and Organic Lip; the Correction line; Booster & Sealer.
61 products · 8 lines · new · May 2026
CONC, Eyebrow, Eyeliner, Skin & Areola, Correction & Base, Booster & Thinner — and two HYBRID lines marked as such on the maker's chart: LIP and Hair Stroke & SMP.
Organic and inorganic characteristics in one formula. HS03 True Love, for instance: a medium brown with no titanium dioxide, to use alone or mixed, recommended for feathering techniques.
Every shade on the maker's chart carries two readings. The colour index is the approximate ratio of pigments inside — black, yellow, red, white, sometimes a touch of green or blue. The mix tone shows the direction the shade takes as white is added.
It is how you predict healing before the first stroke: a brown with a lot of red warms as it settles, one carried by black and green stays cool. You will find both readings on every product page.
Calculated by the manufacturer's computer colour system — a reference, not an exact colour.
Nineteen lines, grouped exactly as on the maker's charts. Filter the shop by work area — brows, lips, eyeliner, correction, skin & scars, scalp — or by line.
22 brow shades, codes 201 to 241 — from pale buttercup to black brown.
18 concentrated brow shades, codes 802 to 836.
Eight creamy brow shades, made to be used alone or mixed with each other.
CONC, Eyebrow and Eyeliner, plus two hybrid lines: LIP and Hair Stroke & SMP. Correction & Base, Skin & Areola, Booster & Thinner.
39 lip shades, from nude and coral to deep berry — two of the three lines organic or hybrid.
Green for orange, yellow for violet, orange for grey-blue — plus adoreME bases for your own mixes.
12 organic-pigment brow shades, codes 801 to 823.
Skin tones for camouflage, areola and scars, and the adoreME SMP blacks for the scalp.
Laid out like a jogakbo, the Korean patchwork wrapping cloth: the colours sit right next to each other so you compare them by eye, not from memory. Filter by undertone, area and phototype. Swatches are taken from the manufacturer's colour charts — on skin, the result depends on the undertone and on how it heals.
No shade matches every filter. Drop one of them.
203 shades shown
See the pigments in the shop
The same shade looks different on porcelain skin and on olive skin. That is why the range has 203 shades and not ten: so you can choose by undertone, not by name.
Choose by phototypeThese are not "best sellers" — there is no sales history yet. They are the shades and products we chose because they cover the most situations in a treatment room.
Order matters. The phototype tells you how dark you can go, the undertone tells you which way the colour will drift, the area tells you what texture you need — and correction is decided last.
The four step marks are the trigrams of the Korean flag — 건 곤 감 리: heaven, earth, water, fire.
On phototypes I and II, a pigment that is too dark shows as a patch and darkens further as it heals. On IV and V, one that is too light disappears within weeks. Where the manufacturer gives a phototype range, the product page shows it.
Cool, neutral or warm. A warm brown on cool skin drifts red; a cool brown on warm skin heals ashy. This is the mistake that brings the client back three months later.
CoolNeutralWarmBrows, lips, eyelid or areola. A lash-line liner needs a dense pigment that does not migrate; shading needs a more fluid one. For lips, a warm base is almost always a must.
If you are working over an old pigmentation, the old colour decides. Orange is cancelled with green, violet with yellow, steel grey with orange. The corrector goes in as a base — not mixed in at random.
601603607Because they are made there, in a pharmaceutical laboratory — not poured into bottles in Europe. South Korea has one of the most demanding cosmetics industries in the world and a colour tradition centuries old, from obangsaek, the five cardinal colours, to dancheong, the painting under temple eaves.
In practice, it means consistency: the same shade code behaves the same way from one batch to the next, and the range is designed as a system, not as a collection of pretty colours.
Because the whole range is for professionals only, and most studios buy through their company. The price shown is the net price, so you can compare it directly with what you pay today. VAT is added at checkout, where you see the full total before you pay.
These are professional-use products. By placing an order you confirm that you are a cosmetologist or a person qualified to use these preparations.
Yes. Every shade has an MSDS listing the ingredients used in production. Request it for your order and it is sent by email.
The swatches are taken from the manufacturer's colour charts and reproduced as faithfully as a screen allows; every product page also shows the chart's colour index and mix tone. On skin, the final result depends on phototype, undertone and healing.
For fine choices, the printed colour chart remains the safest reference.
The shelf life and expiry date are printed on every bottle. Store closed, away from direct light, at room temperature.
Your client's phototype and undertone, the machine you use and what you have tried so far. Out of 203 shades we will pick three together, not thirty.
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